Research thesis by Guillaume Cournet — arts and image technologies, experimental cinema and algorithmic practices.
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This research sits within a practical and theoretical approach to generative systems.
Main axes:
1. Glitch as process
Glitch is not approached as an error, but as a moment when the system reveals itself.
It makes it possible to:
- expose the technical infrastructure
- surface the materiality of the digital
- produce unpredictable forms
2. Linearity vs discretization
Digital systems rest on discrete structures, yet produce an illusion of continuity.
Central question:
How can a succession of discrete states generate a fluid experience?
3. Live coding as writing
Live coding is understood as a form of performative writing:
- visible writing
- immediate execution
- continuous transformation
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